{"id":15635,"date":"2025-01-21T09:29:39","date_gmt":"2025-01-21T16:29:39","guid":{"rendered":"https:\/\/cravebooks.com\/blog\/?p=15635"},"modified":"2025-02-06T00:53:10","modified_gmt":"2025-02-06T07:53:10","slug":"how-to-write-a-synopsis","status":"publish","type":"post","link":"https:\/\/cravebooks.com\/blog\/how-to-write-a-synopsis\/","title":{"rendered":"The Ultimate Guide to Writing an Effective Synopsis"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Your synopsis is just as important, arguably even more than your actual piece.\u00a0<\/span><span style=\"font-weight: 400;\">It seems like writing a synopsis after you\u2019ve already written your book should be a breeze, but that\u2019s not the case.\u00a0<\/span><span style=\"font-weight: 400;\">In reality, writing your synopsis can be a lot more difficult than you may imagine.\u00a0<\/span><span style=\"font-weight: 400;\">With your synopsis, you have about 1,000 words to convince an agent or publisher that your book is worth putting in the marketplace.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Instead of waiting until the end to create your synopsis, writing it before can help ensure a smooth writing process overall.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Regardless, it\u2019s essential to write a compelling synopsis that motivates agents and publishers to sell your writing.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In today\u2019s post, we\u2019ll detail the most helpful strategies on &#8216;How to Write A Synopsis&#8217; for both nonfiction and fiction books\u00a0<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">What\u2019s a Synopsis?<\/span><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-17152 size-large\" src=\"https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Synopsis-1024x512.jpg\" alt=\"What is Synopsis\" width=\"1024\" height=\"512\" srcset=\"https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Synopsis-1024x512.jpg 1024w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Synopsis-300x150.jpg 300w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Synopsis-768x384.jpg 768w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Synopsis-1536x768.jpg 1536w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Synopsis-2048x1024.jpg 2048w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Synopsis-1568x784.jpg 1568w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">For the purpose of this article, a synopsis is a summary that reveals the main points of a story, specifically used when shopping a book to agents and publishers. Unlike your back cover or ad copy, your synopsis should include major plot twists and tell how your story ends. A fiction synopsis should outline the premise and approach of your story. You can rest assured that both publishers and agents understand the developmental aspects of fiction writing and will expect that your story could evolve differently than your synopsis.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rather than asking luring questions as you may with back cover copy, you should tell what happens in your story and how it ends in your synopsis. You want to be clear about how you plan to tell the story, and your synopsis should set you apart from the competition. Essentially, you should tell your story in the present tense in your synopsis.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The synopsis is important for convincing agents and publishers to work with you, but you should be aware that very few will offer a contract based on only the synopsis. You still will need a powerful manuscript to go with your synopsis.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The synopsis is like your resume &#8211; it\u2019s only part of the process. Delivering your idea is another challenge entirely. Just as employers will complete a rigorous hiring process, agents and publishers will want to see the entire manuscript as well as a synopsis.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The synopsis is usually the first step, and most will use it to determine if they want to read the manuscript.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nonfiction synopses are slightly different. For nonfiction pieces like narrative stories, biographies, memoirs, and autobiographies, you should lay out the topics you plan to cover in each chapter.\u00a0<\/span><span style=\"font-weight: 400;\">The synopsis for nonfiction should outline the intended audience, what you want to teach readers, and your qualifications for writing on the subject. Don\u2019t use overly salesy language or promise things you won\u2019t deliver.\u00a0<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Writing a Fiction Synopsis<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Starting your fiction writing process with the synopsis can help you determine the main direction and elements of your story. It will also help to keep you focused during your writing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Study your genre hard, because summarizing a full manuscript is not an easy task, and you want to be sure to hit the most important aspects of your genre. Every genre comes with certain parameters and reader expectations, and while you want creative freedom and expression, missing the mark on too many of those expectations will have agents and publishers passing on your submission. Using a synopsis while you write will help you stay on track.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Here are the key steps for how to write a synopsis for fiction works:<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Develop Your Main Idea<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">You should be able to summarize your story premise in one sentence. Arguably the sentence does need to be a good one, but a winning storyline will only require a one-sentence description.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This one-sentence premise outline is known as the \u201clogline.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A good logline is simple, yet intriguing. At first glance, it may not seem like much of a challenge, but try to tell someone about your novel with one sentence. Until you can do this, you shouldn\u2019t write the full synopsis.\u00a0<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Outline Story Structure\u00a0<\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-17153 size-large\" src=\"https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Outline-Story-Structure-1024x512.jpg\" alt=\"outline story structure\" width=\"1024\" height=\"512\" srcset=\"https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Outline-Story-Structure-1024x512.jpg 1024w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Outline-Story-Structure-300x150.jpg 300w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Outline-Story-Structure-768x384.jpg 768w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Outline-Story-Structure-1536x768.jpg 1536w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Outline-Story-Structure-2048x1024.jpg 2048w, https:\/\/cravebooks.com\/blog\/wp-content\/uploads\/2025\/01\/Outline-Story-Structure-1568x784.jpg 1568w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">All novels should include variants of the main structure aspects below:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A powerful opener.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A plot twist.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A series of challenges that add tension.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Everything meeting at the pinnacle, or climax.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A resolution.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A gratifying ending.\u00a0<\/span><\/li>\n<\/ul>\n<h3><span style=\"font-weight: 400;\">Present the Details<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Your synopsis should begin with a hook. Take your time to craft a winning logline and begin your synopsis with a bang.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Using your <a href=\"https:\/\/cravebooks.com\/blog\/story-structures\/\">story structure<\/a> as a base, add a paragraph or two for the main story beats you\u2019ve used.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Lastly, showcase the main character\u2019s story arc. Describe how they changed from the beginning. Do the same for all major characters, including villains.\u00a0<\/span><\/p>\n<p><strong>Tips:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">When writing your synopsis, keep the following tips in mind:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Use present tense and third person as much as possible.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Highlight the first mentions of a character\u2019s name by bolding or capitalizing it.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Add brief character sketches.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Avoid mysteries, raising questions, and teasers.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Spell out your story clearly so the agent or publisher knows what to expect.\u00a0<\/span><\/li>\n<li aria-level=\"1\"><span style=\"font-weight: 400;\">Keep it concise, aiming to stay under 1,000 words or two pages.<\/span><\/li>\n<\/ul>\n<h2><span style=\"font-weight: 400;\">Fiction Synopsis Example\u00a0<\/span><\/h2>\n<p><i><span style=\"font-weight: 400;\">Blood Dawn<\/span><\/i><span style=\"font-weight: 400;\"> by John Robin\u00a0<\/span><\/p>\n<p><b>[Context]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Blood Dawn is set in Ghulheim, the once-mighty seat of Azzadul, a god-king who united the world then vanished mysteriously. Gholheim has fallen into disarray under the regime of King Fyrian, a tyrannical ruler bent on the suppression of art. Despite his apparent grasp of power, the seeds of revolution stir and soon ignite into a war.\u00a0<\/span><\/p>\n<p><b>[Whose story is it + what does she want?]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Rena, a seamstress of nearly twenty winters who has been adopted into wealthy House Arwelle, wants desperately to forget her past crimes as a child assassin and lead a life of peace and obscurity. However, she has an uncanny gift for weaving, which attracts the interest of people eager to exploit her, which soon pulls her into the center of the revolution.<\/span><\/p>\n<p><b>[What\u2019s standing in her way?]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Rena\u2019s greedy uncle, Kurt Estelle, reveals her ability to weave before Gholheim\u2019s royal officials. Convincing them that Rena\u2019s skill might be a benefit to the lucrative foreign cloth trade market, Estelle\u2019s actions lead Rena to the royal palace, where she is forced to abandon her old life as a seamstress and become Mistress of Cloth to King Fyrian \u2013 a job which means she is in control of cloth production for export, and a reality which makes her feel exposed and uncertain.<\/span><\/p>\n<p><b>[This happened and BECAUSE OF THAT this happened + why it matters]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">While in the palace, Rena encounters conspirators who seek to use her gifts for their own gain. One of them, Villiar, once the Chief Councillor to Azzadul, tells Rena she is the god-king\u2019s long-lost daughter and insists that she must master her power for the good of Gholheim\u2019s people. Another, a villain in Gholheim\u2019s Underworld called Zavram, has strong ties to the royal court, and his goal is the opposite: to steal Rena\u2019s inherited power using arcane blood rites so that with it he might become more powerful even than the former god-king. Rena is a pawn in their game, and in her moment of greatest need she calls upon the power of colors and patterns that has always comforted her and weaves a grand tapestry of dragons \u2013 and in this, she gets a glimmer of her full potential.\u00a0<\/span><\/p>\n<p><b>[This happened and BECAUSE OF THAT this happened + why it matters]<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0War breaks out around Ghulheim. While this is happening, Rena not only begins to believe in her power, she also begins a secret love affair with King Fyrian, discovering that he is just a figurehead \u2013 and an ordinary, fearful person just like her. Compelled by the power she\u2019s just discovered and her new love, Rena seeks to master her power, not only so she can rise above the conspirators who want to use both her and the King as their puppet, but to show her new lover that it is possible to rule without fear. Rekindling the deadly gifts of her past as a child assassin, she creates magical drawings that unleash fire and destruction on her enemies, killing hundreds.\u00a0<\/span><\/p>\n<p><b>[This happened and BECAUSE OF THAT this happened + why it matters]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">In her torn and singed gown, she sits on Azzadul\u2019s throne, trusting that her power is indeed a sign of her birthright as Azzadul\u2019s long-lost daughter, claiming victory for her and for Fyrian, and believing that she will bring a new age of hope to Ghulheim. Rena and Fyrian quickly marry to cement their power, but their celebration is short-lived, for House Trwl, a rogue house that has sworn false loyalty to King Fyrian rises up and murders the king. Rena is caught off guard, and finds that though she\u2019s prepared magical drawings as wards to protect herself, they are useless to her now in her desperate time of need. She is taken prisoner where she awaits a death sentence.\u00a0<\/span><\/p>\n<p><b>[This happened and BECAUSE OF THAT this happened + why it matters]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Alone in captivity &#8212; the place where she first resolved to abandon her drawings so she could rebuild a life of peace in a new life with Jane Arwelle &#8212; Rena finds new resolve to become more than a timid girl. She vows that if she manages to survive this time, she will not rest until she has reclaimed the throne and restored hope to Gholheim\u2019s people.<\/span><\/p>\n<p><b>[This happened and BECAUSE OF THAT this happened + why it matters]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Meanwhile, Rena\u2019s brother, Manwen, her mother, Jane, Granduncle Lantis, and a new ally, Venton, plot her rescue. They steal Rena away, replace her with a look-alike, and fake her death. Zavram, realizing the betrayal, blames his apprentice, Din Dellion, another master of the dark arts, and in an epic battle the two men put their greatest powers against one another \u2013 a fight which ends with Zavram fleeing and Din Dellion rising up as the new king of Ghulheim.<\/span><\/p>\n<p><b>[Resolution]\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Rena, who in exile has been rising to her full strength, begins her campaign to win back Ghulheim. Using the tapestry Rena made as a blueprint, her rescuers are able to decode an ancient device that becomes a master weapon for Rena. With it, she conquers Ghulheim and reclaims the throne and forges a permanent connection to her magic. She rules with force and confidence, defining for her people a new era of light and hope \u2013 her father\u2019s dream restored to dark Gholheim and the vast world beyond.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Writing a Nonfiction Synopsis<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Nonfiction literature should still tell a story, which means you synopsize it very similarly as you would a fiction novel. <a href=\"https:\/\/cravebooks.com\/best-selling-books\/nonfiction\">Nonfiction pieces<\/a> still have heroes, journeys, villains, challenges, a climax, and the other key storytelling elements of fiction works.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Here is the basic template for how to write a synopsis for nonfiction:<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Explain the Value\u00a0<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Your nonfiction text should help readers in some way. Deliver a premise statement that explains who the book is for and what it offers them. For example, maybe the purpose is to \u201clearn to better handle defeat\u201d.\u00a0<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Establish Credibility\u00a0<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Next, you have to establish yourself as an authority figure in the industry that you\u2019re writing about. Readers need to trust that the information and advice you share is sound.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Imagine reading about <a href=\"https:\/\/cravebooks.com\/best-selling-books\/cookbooks-food-wine\">cooking techniques<\/a> from someone whose version of cooking is reheating frozen meals. Without the experience, you wouldn\u2019t trust what they are telling you.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Before you can even convince readers, you have to convince the agent or publisher that you are an authority in the space.\u00a0<\/span><span style=\"font-weight: 400;\">Explain why you are the best person to write this book. Lay out your relevant credentials.\u00a0<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Describe the Outline\u00a0\u00a0<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Summarize each chapter in the book with one paragraph. Use the third person and present tense to outline the content, purpose, and takeaway for each chapter. This should be up to 800 words.\u00a0<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Key Qualities of a Nonfiction Synopsis<\/span><\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Present the main question or problem in a way that will seem interesting even to those unfamiliar with the subject.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Explain the importance and relevance of the main question or problem.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Demonstrate public interest in the subject and how it will appeal to a large enough market niche.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Showcase your authority to write this book.\u00a0<\/span><\/li>\n<\/ul>\n<h2><span style=\"font-weight: 400;\">Nonfiction Synopsis Example (Memoir)<\/span><\/h2>\n<p><i><span style=\"font-weight: 400;\">Crossing to Invisible<\/span><\/i><span style=\"font-weight: 400;\"> by Annie B Seyler<\/span><\/p>\n<p><b>[Context \u2013 the world of the story]<\/b><\/p>\n<p><span style=\"font-weight: 400;\">As the income gap in America widens and class mobility grinds to a standstill, the national<\/span><\/p>\n<p><span style=\"font-weight: 400;\">dialogue around wealth disparity has surged to the foreground. According to a recent New York<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Times\/CBS News poll, \u201cAmericans are broadly concerned about inequality of wealth and<\/span><\/p>\n<p><span style=\"font-weight: 400;\">income\u2026Far from a strictly partisan issue, inequality looms large\u2026suggesting that it will outlive<\/span><\/p>\n<p><span style=\"font-weight: 400;\">the presidential primary contests and become a central theme in next year\u2019s general election<\/span><\/p>\n<p><span style=\"font-weight: 400;\">campaign.\u201d (NYT 6\/3\/15)<\/span><\/p>\n<p><b>[Protagonist \u2013 who is this narrator and what does she believe?]<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Amidst the dialogue and debates, one thing is clear: nothing amplifies the issues or humanizes the impact more poignantly than personal stories. But the vast majority of stories are told from only one side of the income gap. Imagine the benefits of adding to the dialogue a personal account of the experience of growing up in both privilege and poverty within one\u2019s own nuclear family. Imagine a story that taps into America\u2019s widespread discomfort with poverty and the social norm that encourages those with means to distance themselves from those who have less. Enter Crossing to Invisible, a provocative memoir that explores the author\u2019s emotional experience of crossing back and forth over the income divide as a teenager and the unmistakable influence of that crossing on her choices as an adult.<\/span><\/p>\n<p><b>[Why it matters \u2013 the topic, the big idea.]<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Wealth disparity has driven a wedge among teenagers\u2019 worlds and many educators and parents<\/span><\/p>\n<p><span style=\"font-weight: 400;\">of prep school youth are worried their teenagers are growing up in privileged silos that prevent<\/span><\/p>\n<p><span style=\"font-weight: 400;\">them from identifying with anyone who lives on the other side. Today\u2019s youth are tomorrow\u2019s<\/span><\/p>\n<p><span style=\"font-weight: 400;\">leaders, so cultivating in them the ability to identify and empathize with all people \u2013 across the<\/span><\/p>\n<p><span style=\"font-weight: 400;\">class divide \u2013 has never been more critical.<\/span><\/p>\n<p><b>[What happens externally and internally + why it matters]<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Crossing to Invisible provides a bridge between worlds and a leaping-off point for reflection and<\/span><\/p>\n<p><span style=\"font-weight: 400;\">discourse. From a Connecticut prep school to an Ivy League University, the author is immersed<\/span><\/p>\n<p><span style=\"font-weight: 400;\">in privilege and taught to achieve, build status, and leverage every opportunity her elite<\/span><\/p>\n<p><span style=\"font-weight: 400;\">education offers. But when her mother divorces her wealthy father and willfully remarries into<\/span><\/p>\n<p><span style=\"font-weight: 400;\">extreme poverty, the author must choose between honoring the class rules that have shaped her family\u2019s lives for generations or defying the rules, foregoing the rewards, and following her heart.<\/span><\/p>\n<p><b>[What happens externally and internally + why it matters]<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Setting aside the distinction that privilege bestows upon her, the author sleeps on a mattress on a barn floor, dumpster dives for pecan rolls behind a Freihofer\u2019s outlet store, and immerses herself in a community that is trapped in a cycle of generational poverty and overlooked in a country that worships what they lack: prestige and money. As the author enters adulthood and faces life\u2019s increasing complexities, she gets trapped between a culture that urges her to leverage her pedigree and a quiet yet pervasive instinct to hide from it.<\/span><\/p>\n<p><b>[Resolution]<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Although the author\u2019s story is unusual, many of her feelings are not. Her journey is one from<\/span><\/p>\n<p><span style=\"font-weight: 400;\">resistance to acceptance; from resentment to forgiveness; from feeling like something is missing<\/span><\/p>\n<p><span style=\"font-weight: 400;\">to feeling whole. It\u2019s a journey in which layers of distortion are peeled away &#8212; distortions within<\/span><\/p>\n<p><span style=\"font-weight: 400;\">our culture, within her own family, and within herself. It\u2019s a journey that gets beneath the surface<\/span><\/p>\n<p><span style=\"font-weight: 400;\">of how we show ourselves in the world and how we see others \u2013 even those we pretend are<\/span><\/p>\n<p><span style=\"font-weight: 400;\">invisible.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Write Your Synopsis\u00a0<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Writing a synopsis may seem like a daunting task, but it doesn\u2019t have to be. While it\u2019s certainly frightening to pitch your manuscript to agents and publishers, you have the tools to produce a compelling synopsis.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ideally, begin your writing process with the synopsis. This will help you flesh out your concept and narrow in on the purpose of your book. Using the simple approach above, you can write a winning synopsis for nonfiction and <a href=\"https:\/\/cravebooks.com\/best-selling-books\/literature-fiction\">fiction books<\/a>.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Your synopsis is just as important, arguably even more than your actual piece.\u00a0It seems like writing a synopsis after you\u2019ve already written your book should be a breeze, but that\u2019s not the case.\u00a0In reality, writing your synopsis can be a lot more difficult than you may imagine.\u00a0With your synopsis, you have about 1,000 words to [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":17130,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[189,379],"tags":[202,392,213,198,214],"_links":{"self":[{"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/posts\/15635"}],"collection":[{"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/comments?post=15635"}],"version-history":[{"count":8,"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/posts\/15635\/revisions"}],"predecessor-version":[{"id":17155,"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/posts\/15635\/revisions\/17155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/media\/17130"}],"wp:attachment":[{"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/media?parent=15635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/categories?post=15635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cravebooks.com\/blog\/wp-json\/wp\/v2\/tags?post=15635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}