Daimon Eleysis

Tell us a little bit about yourself, your hobbies and interests.

I’m Daimon Eleysis, an author fascinated by the convergence of philosophy, psychology, and speculative fiction. Writing for me is a way to explore the intricate layers of human identity and consciousness, as evidenced in my debut book, The Epsilon Self. I delve into questions of selfhood, connection, and the liminal spaces where reality meets perception. When I’m not writing, I’m an avid wanderer of nature trails, often finding inspiration in the quiet whispers of the wilderness. I also enjoy delving into historical texts and esoteric philosophies, which often provide rich tapestries for my narratives. Music, particularly instrumental and ambient genres, fuels my creative process, and I’m a relentless coffee enthusiast—coffee and contemplation often go hand in hand for me. Beyond that, I have a love for film and storytelling in all forms, finding them to be powerful mirrors of the human experience. With Silent Sentinels now open for pre-order, I’m excited to further expand the themes and questions that define my work. It’s a journey, both personal and shared, that I hope readers will find as intriguing as I do.

When and why did you start writing books?

I began writing books during a particularly introspective period of my life. It wasn’t a decision I made overnight; rather, it felt like a natural progression of years spent journaling, exploring ideas through short stories, and engaging deeply with literature and philosophy. The spark to write my first book, The Epsilon Self, came when I realized how much I wanted to explore the concept of identity—not just as an intellectual exercise, but as a narrative journey that others could resonate with. The "why" of my writing goes back to a desire to understand and connect. Books have always been my companions in moments of solitude, offering not just escape but also insight. Writing became my way of contributing to that shared space, of creating stories that provoke thought, challenge assumptions, and perhaps offer solace. I wanted to ask big questions—about what it means to be human, to belong, to seek purpose—and weave them into a tapestry of characters and worlds that readers could lose themselves in. For me, writing is as much about discovery as it is about expression. Each book is a dialogue between my inner world and the outer one, and it’s a process I cherish deeply.

What made you decide to tackle writing as a career?

The decision to pursue writing as a career came from a realization that storytelling wasn’t just something I enjoyed—it was something I needed. Writing has always been my way of processing the world, of exploring questions that seem too vast to confine to casual thought. Over time, it became clear that I wasn’t just dabbling; I was building worlds, sketching ideas, and weaving narratives that felt meaningful not just to me but potentially to others as well. What truly solidified my decision was the overwhelming feeling of fulfillment I experienced when finishing my first manuscript. It was a moment of clarity—recognizing that writing was more than a passion; it was a calling. I wanted to create stories that challenged perspectives, invited introspection, and offered readers the same sense of discovery that books have always given me. Of course, choosing writing as a career isn’t without its uncertainties. But to me, the opportunity to craft ideas, characters, and worlds that might leave a lasting impression on someone else made the risks worthwhile. With each project, I find myself more convinced that storytelling is where I’m meant to be, and I’m grateful for the chance to share this journey with readers.

Which one of your books or characters is your favourite?

It’s difficult to choose a favorite among my books or characters—they all represent different facets of my thoughts and experiences. That said, I have a particular fondness for The Epsilon Self. It was my debut, and writing it was a deeply transformative experience. The themes of identity and interconnectedness felt intensely personal, and shaping that story was as much a process of self-discovery as it was of creation. As for characters, one that stands out is Erya, the protagonist of The Epsilon Self. She embodies the quiet strength and relentless curiosity that I admire in people. Erya’s journey of navigating fragmented identities and searching for her authentic self mirrors struggles many of us face, albeit on a more symbolic and expansive scale. She’s flawed and vulnerable but deeply determined, and writing her allowed me to explore the complexities of human resilience and connection. In my upcoming book, Silent Sentinels, there’s a character named Kael who’s quickly becoming a new favorite. Kael is enigmatic and layered, someone who exists in the gray spaces of morality and purpose. Writing him has been both a challenge and a joy, and I’m eager for readers to meet him and decide for themselves what they think of his path. Ultimately, every book and character holds a piece of my heart, and choosing a favorite feels akin to choosing a favorite piece of oneself—an impossible but intriguing question.

Which one of your books was the hardest to write and stretched you the most as a writer?

Without a doubt, Silent Sentinels has been the most challenging book to write so far. While The Epsilon Self was a deeply personal exploration of identity and selfhood, Silent Sentinels demanded a broader lens. It’s a story that grapples with collective responsibility, the weight of history, and the unseen forces that shape our choices. Balancing these vast themes with a compelling narrative stretched me in ways I hadn’t anticipated. The hardest part was finding harmony between the philosophical undertones and the human drama at the heart of the story. I didn’t want the book to feel overly abstract, so I worked diligently to ensure the characters’ journeys remained relatable and emotionally engaging. This meant digging deeper into their psyches, crafting layered motivations, and exploring moral dilemmas that don’t offer easy answers. Structurally, Silent Sentinels is more ambitious than my previous work, with multiple intertwined perspectives and timelines. There were moments when I felt overwhelmed by the complexity, but those challenges ultimately pushed me to grow as a writer. I had to refine my ability to weave intricate threads into a cohesive whole while ensuring each moment resonated authentically. In the end, Silent Sentinels has been a rewarding struggle. It taught me patience, discipline, and the importance of trusting the process, even when the path forward isn’t immediately clear. I believe the result is a story that not only challenges but also invites readers into a profound and thought-provoking experience.

Who is your favourite author and book?

Choosing a favorite author and book feels like an impossible task—it’s like asking a musician to choose their favorite note. That said, there are a few authors and works that have profoundly shaped my perspective and writing style. If I had to name one, Ursula K. Le Guin stands out. Her ability to combine philosophical depth with emotionally resonant storytelling is unparalleled. The Dispossessed is a personal favorite. It’s not just a story about two contrasting societies; it’s a meditation on freedom, belonging, and the sacrifices we make in pursuit of ideals. Le Guin’s nuanced approach to complex themes has always been an inspiration to me. Another favorite is Hermann Hesse’s Demian. It’s a book that spoke to me deeply, especially during my formative years. Its exploration of self-discovery, duality, and the search for meaning resonates with the kinds of questions I often tackle in my own work. The way Hesse weaves mystical and psychological elements into his narrative has left a lasting impression on me. Lastly, I would be remiss not to mention Kazuo Ishiguro. His novel The Remains of the Day is a masterclass in subtlety and emotional depth, showing how much power lies in the unspoken. Ishiguro’s ability to evoke profound truths through quiet, restrained prose has taught me so much about the art of storytelling. Each of these authors and their works represents a different facet of what I love about literature: its ability to challenge, comfort, and transform. They remind me why I write—to create something that lingers in the mind and heart long after the final page is turned.

What book are you reading right now?

Right now, I’m reading Klara and the Sun by Kazuo Ishiguro. His work never fails to captivate me, and this novel is no exception. It’s a poignant exploration of what it means to love and be human, told through the perspective of Klara, an artificial friend. Ishiguro has this remarkable way of blending the deeply personal with the profoundly philosophical, and I find myself drawn to the quiet tension in his storytelling. What fascinates me most about Klara and the Sun is its delicate balance of intimacy and mystery. It raises questions about identity, empathy, and the intersections of technology and humanity—themes that resonate with my own writing. It’s the kind of book that lingers in your thoughts long after you put it down, and I find myself inspired by Ishiguro’s ability to craft narratives that are both timeless and deeply relevant. Reading it feels like a dialogue, not just with the story, but with my own questions and ideas. It’s the perfect companion as I continue to refine my own work and delve deeper into the layers of storytelling.

Where do you get your inspiration for your books?

Inspiration for my books comes from a mosaic of experiences, ideas, and observations. I’m fascinated by the intersections of philosophy, psychology, and human connection, and many of my stories emerge from questions I can’t seem to shake—questions about identity, purpose, and the unseen forces that shape our lives. Nature is a huge source of inspiration for me. There’s something profoundly grounding and mysterious about being in the wilderness, where the rhythms of life feel both eternal and fleeting. I often find that quiet walks in the woods or near water bring clarity and spark new ideas for characters or scenes. I’m also deeply influenced by art, music, and film. A haunting melody, a striking painting, or a thought-provoking film can often unlock a whole new narrative thread or emotional depth in my work. Similarly, historical events and esoteric philosophies intrigue me; I find rich layers of meaning in how cultures across time have grappled with universal truths. But perhaps the most consistent source of inspiration is simply observing people—their struggles, triumphs, and contradictions. Every conversation, every fleeting glance, holds the potential for a story. I think of writing as a way of stitching together fragments of the human experience into something meaningful, something that resonates. Ultimately, inspiration is everywhere—it’s just a matter of paying attention and being open to where it leads you. I try to let curiosity guide me, trusting that the stories worth telling will emerge in their own time.

What do you enjoy doing in your spare time?

In my spare time, I like to immerse myself in activities that help me recharge and spark creativity. Nature is my sanctuary, so I often go hiking or take long walks in the woods. There’s something incredibly grounding about being surrounded by trees or listening to the rhythmic flow of a stream—it clears my mind and often inspires new ideas for my writing. I’m also a voracious reader, constantly seeking out books that challenge my perspective or introduce me to new worlds. Whether it’s philosophy, speculative fiction, or historical nonfiction, I find immense joy in discovering how other authors navigate the complexities of storytelling and ideas. Music is another passion of mine. I enjoy creating playlists that match the mood of whatever project I’m working on, and sometimes I’ll spend hours just listening, letting the melodies take me somewhere new. Instrumental and ambient music, in particular, help me focus and reflect. When I’m not outdoors or reading, I love film and storytelling in all its forms. I’m always on the lookout for thought-provoking movies or series that explore deep themes or unique narratives. And, of course, there’s coffee—whether brewing it at home or enjoying a cup at a cozy café, it’s an essential part of my downtime ritual. Ultimately, my spare time is about finding balance—between reflection and exploration, solitude and connection. It’s in these moments of quiet enjoyment that I often find the seeds of my next story.

Do you have any new books in the works?

Yes, I’m excited to share that my upcoming book, Silent Sentinels, is now available for pre-order. It’s a story that’s been simmering in my mind for a long time, and seeing it come to life has been an incredible journey. While The Epsilon Self explored the internal landscape of identity and selfhood, Silent Sentinels ventures outward, examining themes of collective responsibility, hidden legacies, and the unseen forces that guide our lives. This book introduces a mysterious order tasked with guarding ancient knowledge, raising questions about the cost of secrecy and the balance between preserving history and allowing change. The characters, particularly Kael—a morally complex figure navigating loyalty and truth—are some of the most intricate I’ve ever written. Their journeys have challenged me as a writer, and I hope they will resonate deeply with readers. Beyond Silent Sentinels, I’m in the early stages of outlining a new project. While it’s too soon to share details, I can say it will continue my exploration of the boundaries between reality and perception, blending philosophical inquiry with speculative storytelling. It’s a thrilling concept, and I can’t wait to delve deeper into it. For now, my focus is on Silent Sentinels, and I’m eager to see how readers engage with the story and its questions.